
Thank you and Good bye, Jwill. (Elbow pass and some.)
















































The developers of the game counteracted criticism of the violence by claiming that the amount of violence is up to the players—they may go about their tasks without causing trouble, or they can create mayhem. Critics state that the game clearly urges people playing the game to indulge in homicidal behaviour, given that Dude is often attacked by ludicrous hate groups who despise everything from books to video games. Additionally, there are long queues when Dude visits the bank, the library, Church, and elsewhere. The people of Paradise are exceptionally rude and spit insults at Dude if he bumps into them, and furthermore weapons ranging from machine guns to rocket launchers are left lying around for him to collect.More net help this time from www.imdb.com discovering that the director of the film is a certain Uwe Boll... which led me to even more interesting factoids about the its creators:
Criticism
Many of Boll's movies, especially those based on video games, have been critically panned. As of April 4, 2008, Alone in the Dark, BloodRayne II: Deliverance and House of the Dead appear on the Internet Movie Database's Bottom 100 films list. In a review of Alone in the Dark, Rob Vaux states that the movie should make all other "bad" movie directors feel better in comparison: "'It's okay,' they'll tell themselves, 'I didn't make Alone in the Dark.'" Another reviewer wrote that Alone in the Dark was "so poorly built, so horribly acted and so sloppily stitched together that it's not even at the straight-to-DVD level.
And the movie tagline (Maybe i should have started with this phrase to start the entry):Response to criticism
Boll does not shy away from his critics. In the Alone in the Dark DVD commentary, he responds to criticism that his adaptations make significant changes to the plot and style of the source material: "Fans are always totally flipping out and I understand that the fan of a video game has his own agenda in his head and has his ideas about what is a good movie and what is a bad movie."
When Wired published a negative review of Postal, Boll responded with an e-mail claiming that the critic "(didn't) understand anything about movies and that you are a untalented wanna bee filmmaker with no balls and no understanding what POSTAL is. you dont see courage because you are nothing. and no go to your mum and fuck her ...because she cooks for you now since 30 years ..so she deserves it".
Some comedies go too far... others start there.And now the plot summary from the imbd website:
"In the ironically named city of Paradise, a recently laid-off loser (Ward) teams up with his cult-leading uncle (Foley) to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent..." "The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but political figures as well..."
I'm at the central station Without a destination baby its true, its true.YOUR UNIVERSE - Just the other night on my way home the song was played over radio. After the song, the (female) DJ had this to say: "Rico made that song for me. Period." Just about sums it up. The song (particularly the lyrics, as expected) captures your want to feel anything that resembles love. The lover or the loved, it's all the same to you. So effective, it doesn't care if you have no one to dedicate the song to. Ok, that sounds as mushy as Rico. i will stop now. (Replaces Atomic Bomb's If, as the number one 'maya love song of all time in my list. Also, counter part of Rico's pain song called Shattered Like from the It's Not Easy Being Green--- meaning you can feel Rico's pain from the former and you can feel his pleasure from this thing called love in this song)
You can thank your stars all you want but I'll always be the lucky oneAYUZ - Nerbyoso (Trip) crossed with a toned down Gising Na (Tuloy ang Ligaya) during the chorus. Horns reminds you of a Blur song.
At sa mali mo'y may liquid paperHELPLESS - By the 4th and 5th songs (this one and the next) of the album you wonder if Rico should offer any angst at all (Credit a poster from pinoyexchange.com named ThCrrspndnt who said: "Apparently, the word "angst" isn't part of Rico Blanco's vocabulary. Not a single downer on the former Rivermaya mouthpiece's solo debut effort, "Your Universe." Blanco's offerings are full of emotion yet he's not one to be emo or whatever kids these days call it.") Couldn't have said it better. By the way, this is what you get as well for leaving Rico with all the instruments (except for the drums)
Sa lovelife mong panis, Ctrl-alt-delete
I pour some coffee And slowly swirl in mem'ries Of the night we watched the stars fade into spaceSTART AGAIN - Same same as above. Helpless and Start Again remind me of Never Been Better (It's Not Easy Being Green) without the angst plus same acoustic feel and more synths..
If its okay I'd likeOUTTA THIS - Rico and synths once again. Remember Strontium 90 in It's Not Easy Being Green? Well, it's sort of, kind of like that with lyrics and a more conceivable bass line and guitar rifts plus of course the playful synths.
A minute to speak with you
I try my best to kill The emptiness until My heart stops beatin But I'm not breathinPARA HINDI KA MAWALA - Intentionally Taglish? Probably the mushiest of the bunch. Only song in the album that uses just a single instrument (acoustic guitar)...
Pag diniscuss ko paAntukin - Your Universe's Tagalog counterpart. Confirmation that Rico indeed is in deep trenches of that emotion which is true across this album. You (almost) wish your also in those deep trenches as well. That catchy guitar rift is still at the back of the mind--- where did it come from?! So familiar yet we can't point out the influence. Warning: Almost the entire song copy+pasted next because, after all, this is Blanco we are talking about. Also take note of the extro vocals; "Gumawa na lang tayo ng paraan (Then, paraan is slowly faded out to make way for the backing vocals: "Baby...")
Ma wi-weird-an ka lang
Pag nag-emote ako
Lalo kang tatabang
Sorry wala ka nang magagawa/Mahalin mo nalang ako/Ng sobra sobraMetropolis - Aptly the last song as Rico bades goodbye and good night. At least for now of course.
Para patas naman tayo/Diba?
Sasalubungin natin ang kinabukasan/Ng walang takot at walang pangamba
Tadhana'y merong tip na makapangyarihan/
Pinaiyak ka ng manghuhula/Hindi na raw tayo magkasamang tatanda/
Buti nalang/Merong langit na nagtatanggol sa/Pag ibig na pursigido't matyaga
Long as we stand as one/Ano man ang ating makabangga/Nothing will ever break us
Wala talaga/As in wala
Hahalikan nalang natin ang kinabukasan/Ng buong loob at yayakapin pa
Tadhana'y medyo overrated kung minsan/
Gumawa nalang tayo ng paraan
Gumawa nalang tayo ng... (Baby)
Gumawa nalang tayo ng paraan
Sweet, sweet dreams Sleep tight, good nightSo there goes Rico's universe. The good is that is he's back making music--- that is neither this generation's privilege nor it's gift, but just some kind of luck that we got he got to spend making his music in this era. The bad is that he pulled some punches--- you can credit/blame that in his hope to plainly express himself. You can doubt the end result, but you can never doubt the emotions involved.